FestivalSchedule
Whistling Woods International, Mumbai
Friday 20 Feb
Animation, AI and Immersive Media
Place: ANIMELA ADDA
Time: 2:00 PM–3:00 PM
Ulysse Lefort
In this masterclass, Ulysse Lefort will share insights into his creative workflow across various projects, offering a behind-the-scenes look at how ideas move from concept to completion. He will reflect on his professional journey, working methods, and collaborative processes, while discussing his philosophy around the use of AI in creative practice. The session is designed for filmmakers, animators, and digital artists interested in understanding how innovation, craft, and critical thinking intersect in contemporary visual storytelling.
Saturday 21 Feb
Writing Comedy Series for Kids
Place: FOUNDATION HALL 1
Time: 12:00 PM–1:00 PM
Johanna Goldschmidt
In this session, participants will learn, at a broad level, how to build a compelling hero, define a clear goal and theme, design a strong concept, and structure a typical episode. Through the analysis of a complete 11-minute episode, the session explores, step by step, how a strong concept, memorable characters, and solid story structures create effective comedy.
By moving from theory to practice, this masterclass offers concrete tools used by professional writers, helping participants understand how animated comedy works and how to make kids laugh, episode after episode.
By moving from theory to practice, this masterclass offers concrete tools used by professional writers, helping participants understand how animated comedy works and how to make kids laugh, episode after episode.
Sunday 22 Feb
Distributing Shorts
Place: ANIMELA ADDA
Time: 12:30 PM–1:30 PM
Gaëtan Trigot
This session offers practical insights into the distribution of animated short films, led by Gaëtan Trigot, founder of Pentacle Productions. Drawing from recent films handled by his company, Trigot will unpack effective festival strategies, international circulation pathways, and alternative distribution opportunities. Through real-world examples, participants will gain a clearer understanding of how to position their work, reach wider audiences, and navigate the evolving landscape of short film distribution.
World of Live Events
Place: ANIMELA ADDA
Time: 10:30 AM–11:30 AM
VJ Kaycee
The virtual world is no longer confined to screens — it now merges with architecture, light, sound, and scale.
Across concerts, festivals, award shows, and immersive installations, digital creation has moved into physical space. Stages become a living environment. Buildings transform through projection mapping. Lasers draw graphics in the air. Drones animate the sky. Media servers synchronise visuals with audio, lighting, special effects, and execute real-world physics with the virtual world.
In these environments, there is no room for error and no second take. Perspective shifts with position, and the audience becomes part of the experience.
This session explores how creativity, with the help of technology, converges to design experiences that people step into.
Across concerts, festivals, award shows, and immersive installations, digital creation has moved into physical space. Stages become a living environment. Buildings transform through projection mapping. Lasers draw graphics in the air. Drones animate the sky. Media servers synchronise visuals with audio, lighting, special effects, and execute real-world physics with the virtual world.
In these environments, there is no room for error and no second take. Perspective shifts with position, and the audience becomes part of the experience.
This session explores how creativity, with the help of technology, converges to design experiences that people step into.
Some Oddities of ‘Time’ in Everything
Place: FOUNDATION HALL 1
Time: 12:00 PM–1:00 PM
Prakash Moorthy
We require an unimaginable span of time to explain the origin and existence of our cosmos. Billions of years. And yet, in the strange realm of spooky entanglements, time hardly appears to matter.
Curiously, this resembles what we call ‘suspension of disbelief’… the quiet agreement we make at the beginning of an animated world. We accept that time may stretch, fold, vanish, or make mistakes like in a dream.
When the forest dwelling original people of the Western Ghats were asked how elephants die, they answered: “Elephants don’t die. They lie on their sides at night and explode into butterflies.”
The slow decay, the stillness, the waiting, the scavengers… all that heavy, unpleasant time for maggots to grow wings…removed. In its place is only chrysalis. Wings in the dark. What magic it makes! Death becomes a poem!
Like wood is to the carpenter, surely time is to the maker of tales.
Curiously, this resembles what we call ‘suspension of disbelief’… the quiet agreement we make at the beginning of an animated world. We accept that time may stretch, fold, vanish, or make mistakes like in a dream.
When the forest dwelling original people of the Western Ghats were asked how elephants die, they answered: “Elephants don’t die. They lie on their sides at night and explode into butterflies.”
The slow decay, the stillness, the waiting, the scavengers… all that heavy, unpleasant time for maggots to grow wings…removed. In its place is only chrysalis. Wings in the dark. What magic it makes! Death becomes a poem!
Like wood is to the carpenter, surely time is to the maker of tales.